By the Rev. Dr. Ed Hird
When is the last time that you won a Nobel Peace Prize? Who would have imagined that Bob Dylan at age 75 would be given this honour? Even as an avid Dylan fan, this was not on my radar screen.
The Byrds’ version of this song convinced Dylan to switch to rock & roll. Like our Canadian Bruce Cockburn, Bob Dylan is one of the most private, elusive public figures in the world. The grueling pace of touring and interacting with the media has destroyed many musicians over the years. Dylan himself often lost himself for a while in the midst of such media onslaught. As June Sawyers ironically put it in Book List, Dylan is an artist who, to this day, defends his right of “artistic autonomy, refusing to be anyone but himself, whoever that may be. “
One of my most exciting finds was a new biography by Ian Bell, entitled Once Upon a Time: the lives of Bob Dylan. The Financial Times describes this book as the best Dylan biography yet.” WB Gooderham of The Guardian, UK described ‘Once Upon a Time as “Knotty, beguiling, contrary, infuriating and as ambitious as its subject, this could be the most vital Dylan biography yet.” As part of writing this Deep Cove Crier article on Bob Dylan, I have been asking friends, neighbours, relatives and local business people as to what they think and know about Bob Dylan. I discovered that Dylan has had a remarkably long shelf life, appealing to a wide variety of very diverse people.
My favorite Dylan song is Hey, Mr Tambourine Man. No one can ever fully agree as to what Dylan means in his mysterious, playful lyrics. Hunter S Thompson dedicated his book Fear and Loathing in Las Vegas to Bob Dylan because of this song allegedly promoting Mr Tambourine Man as a drug pusher. Dylan told Joni Mitchell’s husband Chuck that the Tambourine Man was the one common musician in the New Orleans funeral Jazz Bands that helped people grieve the death of their loved ones, and embrace their own mortality. I see Dylan as an enigmatic Tambourine Man who is playing songs for us in our jingle jangle world.
Michael Dyer of the Japan Times Newspaper has called Bob Dylan the single most important artist in the history of popular music. What pains many of Dylan’s fans is that he keeps artistically reinventing himself again and again. Just when you have ‘figured’ Dylan out, he surprises you. The real Dylan is always blowing in the wind. At age 74, Dylan the Tambourine Man will likely reinvent himself many more times before he goes home to the Lord. You cannot put Dylan in a box. When Dylan switched from folk to rock, he was publicly booed and called a ‘Judas’. When he embraced Jesus in the 1980s, many people walked out of his concerts. Geoff Dyer of the New York Times commented: “The conversion to Christianity was the point at which I, like many others, first jumped ship, but again, bootleg recordings have since made clear that as a result of his newfound faith, Dylan rocked harder than he has ever done since.” Some people have never been able to forgive Dylan for spiritually reinventing himself. After Dylan’s explicit spiritual trilogy of albums “Slow Train Coming, Saved, and Shot of Love”, he has 
become more parabolic and subtle in talking about his faith. Sometimes less is more. When I came to faith, some people dismissed my conversion as a phase that I would get over. My hunch is that Dylan’s coming to faith was more than just a phase. Dylan the Tambourine Man, far from the twisted reach of crazy sorrow, is continuing to enable us ‘to dance beneath the diamond sky with one hand waving free, silhouetted by the sea, circled by the circus sands.’
Back in 1976, The American Guide magazine asked Dylan how he imagined God. He memorably said: “I can see God in a daisy. I can see God at night in the wind and rain. I see Creation just about everywhere. The highest form of song is prayer. King David’s, Solomon’s, the wailing of a coyote, the rumble of the earth. It must be wonderful to be God. There’s so much going on out there that you can’t get to it all. It would take longer than for ever.”
I am struck by how deeply the African-American churches have embraced Dylan’s Gospel music. Blues and Folk music have deep roots in the African-American community. While other people may have been offended by Dylan’s Gospel music, the African American churches have transformed these songs into large choir productions. Even if Dylan never again writes such explicit Gospel music, I believe that his Gospel songs will continue to impact many new generations. Music has a way of outliving its composer, even Dylan.
I thank God for Bob Dylan the Tambourine Man who continues to fascinate so many of us. Through his evocative songs, he takes us ‘down the foggy ruins of time, far past the frozen leaves, the haunted, frightened trees, out to the windy beach.’ Only God really knows Bob’s heart. Our calling is to enjoy his music and remember to pray for him and other musicians. There are few tougher callings than that of a travelling Tambourine Man.
The Rev. Dr. Ed Hird, BSW, MDiv, DMin
-An article previously published in the Deep Cove Crier/North Shore News and the Light Magazine
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“I’m afraid there’s been an accident…”
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Indigo also offers the paperback and the Kobo ebook version. You can also obtain it through ITunes as an IBook.
-Click to purchase the Companion Bible Study by Jan Cox (for the Battle of the Soul of Canada) in both paperback and Kindle on Amazon.com and Amazon.ca
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The tension in the movie between forgiveness and judgment is expressed through the police inspector Javert relentlessly pursuing Valjean. Javert tells Prisoner 24601 (Valjean) that ‘men like you can never change’. Again and again Valjean shocks Javert by forgiving the unforgivable. Valjean offered to Javert the same radical reconciliation and healing that had been given to him. Javert cannot handle forgiveness because he is so fixated on people getting what they deserve. Javert was legalistic and self-righteous. This caused him to persecute the very person whose life had been transformed, the very person who was doing so much good for others. Javert’s compassion is completely lacking. Life becomes no more than following the rules and trusting in one’s own efforts. For Javert, God is an unforgiving moralistic tyrant. For Valjean, God is personal, caring and loving.
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